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95 days
10 min
Quebec, 2025

Production : Chantier Monnet, Coop Vidéo de Montréal
Without dialogue

The films of Plein(s) Écran(s)



Synopsis


Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.

A word from Tënk


With great formal simplicity, this visually sublime work by multidisciplinary artist Caroline Monnet unfolds with a steadily building intensity that is both mesmerizing and galvanizing. Without dialogue, carried by an immersive soundscape, it gives full space to bodies, gestures, and light, asserting movement as a primary language. Emerging from the darkness, six Indigenous women from different generations become incandescent presences, revealed through warm colors and ever-shifting lighting, like planets within the same orbital system, bound by a shared force.

Dance—both traditional and contemporary—functions here as a space of living memory, transmission, and healing. By revisiting powwow steps, Monnet affirms the Indigenous body as a site of resistance, reclamation, and projection toward the future. The costumes and accessories, designed by the artist, converse with jewelry and cultural symbols to situate these female figures within a temporal continuum, between ancestral heritage and a future yet to be imagined.

At the intersection of cinema, performance, and visual art, the work deliberately blurs categories to offer a sensory experience that articulates a vision: that of a prosperous, radiant Indigenous future, freed from colonial gazes. A true celebration, the film highlights the power, beauty, and self-determination of Indigenous women whose bodies become at once archives, manifestos, and promises.

 

 

Ariane Roy-Poirier
General Manager and Artistic Director
Plein(s) Écran(s)

Item 1 of 4
Item 1 of 4

Item 1 of 4