Charlotte thrives in multiplicity, constantly seeking new ways to live and think about cinema.

For over three years, she has worn many hats at Cinéma Public, taking on roles such as partnerships coordinator, programmer, project manager, and technical director. Believing that programming is both a creative and political act, she strives to deepen and examine this practice—whether at Cinéma Public, Tënk, or Cinéma sous les étoiles. From time to time, she puts pen to paper for Séquences and Hors Champ, nurturing the quiet ambition of writing more, and writing better. She is also pursuing graduate studies in film at the Université de Montréal, where she works as a research assistant for the Sensibilités Queers Sensibilities research-creation lab.

In cinema, Charlotte is particularly drawn to: the turmoil of adolescence, queer bodies in filmic space, the many ways love unfolds on screen, and that rare, magical intersection where moving images and literature meet.

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