A house in West Jerusalem, where the subject and object of Amos Gitaï’s film meet. In this black-and-white anthology documentary, both produced and censored by Israeli television, Gitaï shines a light on the doubled injustice of private property under the context of an occupation.

Gitaï’s background in architecture shines through visually generous shots of the substance and textures of stone quarries and the villa under construction. But, as a Marxist artist, his critiques of the occupation and its violence are never far. Gitaï’s interest for mortar and stone zooms out far enough to show the Palestinian workers’ sweat as they labour on renovations for the house’s current owner, an Israeli university professor.

Both a symbolic and material figure of Palestinian history, the titular house tells a story of absence and occupation, of its former residents now forced into exile and of the injustice that is sometimes born from ruins.

Stéphanie Bourbeau
Philosophy teacher

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