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Bohdanowicz est une cinéaste primée originaire de Toronto et fondatrice de la société de production Maison du Bonheur. Des rétrospectives de ses œuvres ont été présentées à BAFICI, Punto de Vista, la Cinemateca de Bogotà, DocLisboa et au Festival du nouveau cinéma. En 2017, l’Association des critiques de cinéma de Toronto lui a décerné le prix Jay Scott, et en 2018, elle a été nommée pour le prix Rogers du meilleur film canadien pour son documentaire \u003Cem>Maison du bonheur\u003C/em>. Son troisième long métrage, \u003Cem>MS Slavic 7\u003C/em>, a fait la couverture de \u003Cem>Cinema Scope\u003C/em> et du journal argentin \u003Cem>Página/12\u003C/em>, a été présenté en première à la Berlinale et projeté à la Harvard Film Archive. Diplômée d’un MFA en production cinématographique de l’Université York, elle est aussi une ancienne participante de Berlinale Talents et du TIFF Talent Accelerator. Son quatrième long métrage, \u003Cem>A Woman Escapes\u003C/em> — coréalisé avec Burak Çevik et Blake Williams — a remporté le prix Churubusco à l’atelier CATAPULTA du FICUNAM. Le film a été présenté en première mondiale en Compétition Internationale au FIDMarseille, où il a reçu une mention honorable du prix CNAP. En 2024, elle a été nommée parmi les « 22 personnes les plus influentes du cinéma canadien » par Barry Hertz dans \u003Cem>The Globe and Mail\u003C/em>, ainsi que dans la promotion « 40 under 40 » du festival DOC NYC. Son nouveau long métrage, \u003Cem>Measures for a Funeral\u003C/em>, lauréat du prix Kodak et Silverway au labo de coproduction du FIDMarseille, a été présenté en première dans la section Centrepiece du Festival international du film de Toronto (TIFF). Le film a remporté le Grand Prix de la Compétition nationale au Festival du nouveau cinéma à Montréal. Ses œuvres sont actuellement disponibles sur la Criterion Channel, DAFilms, Tënk et Kanopy.\u003C/p>\r\n","sofia-bohdanowicz",[362,363],{"key":208,"value":209},{"key":211,"value":212},[],[366,367],{"key":208,"value":209},{"key":211,"value":212},[369],{"id":370,"title":269,"otherImages":371,"dateUpd":95,"loaded":82,"pathPrefix":88,"name":269,"isClickable":82,"genre":222,"isComite":82},823,[],[373],{"id":374,"dateAdd":95,"dateUpd":95},"1647",[376],{"id":377,"dateAdd":95,"dateUpd":95,"name":13,"description":88,"cover":88,"duration":95,"language":378},"3056",{"id":95,"name":13,"isoCode":12},[380],{"type":235,"id":381,"priceNoDiscount":83,"price":83,"discount":83,"priceWithoutTaxes":95},4228,[235],{"type":235,"id":381,"priceNoDiscount":83,"price":83,"discount":83,"priceWithoutTaxes":95},"57'","/documentaires/essai/what-these-ashes-wanted","Intime, Essai, Mémoire, ",{},[370],[358],{"id":391,"title":392,"descriptionShort":393,"description":394,"slug":395,"metaTitle":392,"metaDescription":396,"metaKeywords":397,"metadatas":398,"images":418,"otherImages":419,"dateAdd":420,"dateUpd":421,"cover":422,"loaded":7,"pathPrefix":57,"dateFrom":58,"dateTo":59,"tags":423,"bookmarked":82,"position":83,"type":84,"category":437,"categories":448,"importantCategories":517,"programmator":549,"directors":560,"extracts":564,"videos":567,"accessModes":574,"accessTypes":577,"SVODaccessMode":578,"year":400,"time":404,"timeFormatted":579,"country":402,"hd":82,"language":9,"subtitles":409,"productor":406,"dayRemaining":245,"order":143,"directorsName":406,"path":580,"categoriesName":581,"resume":396,"isExpired":82,"isAvailable":7,"videoBonus":582,"directorsId":583,"actorsId":584,"isSvod":7,"isVOD":82,"isFree":82,"isRentable":7,"isSerie":82,"isSME":82,"sacem":82,"scam":82,"cnc":82,"showMobileDetail":82,"isAvailableInCountry":246,"brouillonDunReve":82,"ohMyDoc":82,"cnap":82,"avisTitre":252,"fromCatalogueCollectif":82},153,"Photo jaunie","_Photo jaunie_ retrace l’existence du père de la réalisatrice, décédé lorsqu’elle avait 12 ans, à travers un montage de ses mémoires. À partir des films de famille et les journaux intimes qu’il a écrits au cours de sa vie, elle raconte l’histoire d’un homme ordinaire dont la mémoire personnelle fait écho à une mémoire collective : celle d’une génération issue d’une société post Grande Noirceur où la libération est aussi synonyme de perte de repères. Commence alors un dialogue empreint de nostalgie entre les vidéos heureux et les écrits tourmentés, qui devient très vite universel.","\u003Cp>Par un agencement sensible des écritures intimes de son père – fragments poétiques empreints de tourments – sur une trame visuelle minutieusement composée de photographies, films et vidéos de famille, la cinéaste révèle un homme à la recherche de repères. Dans cette grande exposition de vulnérabilité, elle élabore un récit (auto)biographique d’une tendresse émouvante, et permet à ces bribes de souvenirs éparses de retrouver un sens longtemps enfoui en un homme qui ne se reconnaissait pas dans le modèle masculin dominant de l’époque. Avec \u003Cem>Photo jaunie\u003C/em>, Fanie Pelletier ouvre ainsi un poignant dialogue posthume avec un père qu’elle découvre par l’entremise de la création. Ce portrait personnel s’avère également une fenêtre singulière sur la société québécoise, ainsi qu’une réflexion innovante sur la mémoire (et les archives) qui se décolore avec le temps…\u003C/p>\r\n\r\n\u003Cp> \u003C/p>\r\n\r\n\u003Cp> \u003C/p>\r\n\r\n\u003Cp style=\"text-align: right;\">Hubert Sabino-Brunette\u003Cbr />\r\nProgrammateur et enseignant\u003C/p>\r\n\r\n\u003Cp> \u003C/p>\r\n\r\n\u003Cp> \u003C/p>\r\n","photo-jaunie","L’histoire du père de la réalisatrice, un homme ordinaire qui ne se reconnaissait pas dans le modèle masculin dominant de son époque.","portrait,famille,mémoire,homme,autoportrait,québec,documentaire,2016,fanie pelletier,tënk",[399,401,403,405,407,408,410,411,414,416,417],{"key":27,"value":400},"2016",{"key":30,"value":402},"Québec",{"key":33,"value":404},"30",{"key":36,"value":406},"Fanie Pelletier",{"key":39,"value":9},{"key":42,"value":409},"Anglais, Français",{"key":44,"value":396},{"key":412,"value":413},"Programmateur","Hubert Sabino-Brunette|Enseignant, programmateur;",{"key":46,"value":415},"3",{"key":48,"value":6},{"key":50,"value":51},[],[],"2022-01-18T14:11:45.000Z","2026-10-26T21:16:07.000Z","https://dhkhp2rgto9nq.cloudfront.net/img/p/4/3/3/2/4332.jpg",[424,425,427,430,431,434],{"id":62,"name":63},{"id":426,"name":402},461,{"id":428,"name":429},469,"Famille",{"id":65,"name":66},{"id":432,"name":433},473,"Autoportrait",{"id":435,"name":436},555,"Homme",{"id":438,"title":439,"descriptionShort":88,"description":88,"slug":440,"metaTitle":439,"metaDescription":88,"metadatas":441,"otherImages":443,"dateUpd":95,"loaded":82,"pathPrefix":88,"parent":444,"hisMainImage":88,"path":447,"isCoeur":82,"isSection":7,"isEvent":82,"isTheme":82,"isForme":7,"isTransverse":82,"isDiscipline":82,"isTraversee":82,"isMainEvent":82,"isUnderEvent":82,"isHome":82,"isFeminin":82,"isEmpty":7,"showArchive":82,"couverture":102,"type":143,"hideLogo":82,"sacem":82,"scam":82,"ohMyDoc":82,"cnap":82,"richDescription":82,"brouillonDunReve":82},42,"Archives","archives",[442],{"key":133,"value":6},[],{"id":95,"title":97,"slug":98,"metadatas":445,"otherImages":446,"dateUpd":95,"loaded":82,"pathPrefix":88,"hisMainImage":88,"path":101,"isCoeur":82,"isSection":82,"isEvent":82,"isTheme":82,"isForme":82,"isTransverse":82,"isDiscipline":82,"isTraversee":82,"isMainEvent":82,"isUnderEvent":82,"isHome":82,"isFeminin":82,"isEmpty":7,"showArchive":82,"couverture":102,"type":83,"hideLogo":82,"sacem":82,"scam":82,"ohMyDoc":82,"cnap":82,"richDescription":82,"brouillonDunReve":82},[],[],"/accueil/archives",[449,456,476,483,490,502,510],{"id":438,"title":439,"descriptionShort":88,"description":88,"slug":440,"metaTitle":439,"metaDescription":88,"metadatas":450,"otherImages":452,"dateUpd":95,"loaded":82,"pathPrefix":88,"parent":453,"hisMainImage":88,"path":447,"isCoeur":82,"isSection":7,"isEvent":82,"isTheme":82,"isForme":7,"isTransverse":82,"isDiscipline":82,"isTraversee":82,"isMainEvent":82,"isUnderEvent":82,"isHome":82,"isFeminin":82,"isEmpty":7,"showArchive":82,"couverture":102,"type":143,"hideLogo":82,"sacem":82,"scam":82,"ohMyDoc":82,"cnap":82,"richDescription":82,"brouillonDunReve":82},[451],{"key":133,"value":6},[],{"id":95,"title":97,"slug":98,"metadatas":454,"otherImages":455,"dateUpd":95,"loaded":82,"pathPrefix":88,"hisMainImage":88,"path":101,"isCoeur":82,"isSection":82,"isEvent":82,"isTheme":82,"isForme":82,"isTransverse":82,"isDiscipline":82,"isTraversee":82,"isMainEvent":82,"isUnderEvent":82,"isHome":82,"isFeminin":82,"isEmpty":7,"showArchive":82,"couverture":102,"type":83,"hideLogo":82,"sacem":82,"scam":82,"ohMyDoc":82,"cnap":82,"richDescription":82,"brouillonDunReve":82},[],[],{"id":457,"title":458,"descriptionShort":459,"description":460,"slug":461,"metaTitle":458,"metaDescription":462,"metadatas":463,"otherImages":470,"dateUpd":471,"loaded":82,"pathPrefix":88,"parent":472,"slogan":462,"hisMainImage":88,"path":475,"isCoeur":82,"isSection":7,"isEvent":82,"isTheme":82,"isForme":82,"isTransverse":7,"isDiscipline":82,"isTraversee":82,"isMainEvent":82,"isUnderEvent":82,"isHome":82,"isFeminin":82,"isEmpty":7,"showArchive":82,"couverture":102,"type":126,"hideLogo":7,"sacem":82,"scam":82,"ohMyDoc":82,"cnap":82,"richDescription":7,"brouillonDunReve":82},36,"Vues d'ici","Le Québec a toujours entretenu un rapport privilégié avec le cinéma documentaire, véritable creuset de sa modernité artistique, sociale et politique. Près de 60 ans après la naissance du cinéma direct, entre continuité et inventivité, les cinéastes d’ici poursuivent encore aujourd’hui un dialogue riche avec la société. ","\u003Cp style=\"text-align: center;\"> \u003C/p>\r\n\r\n\u003Cp style=\"text-align: center;\">\u003Ciframe frameborder=\"0\" height=\"360\" scrolling=\"no\" src=\"https://player.vimeo.com/video/722385654?h=b4433640f3&title=0&byline=0&portrait=0\" width=\"640\">\u003C/iframe>\u003Cbr />\r\n\u003Cspan style=\"font-size:12px;\">Identité visuelle créée par \u003Ca href=\"https://moiajp.net/\">\u003Cu>\u003Cstrong>Moïa Jobin-Paré\u003C/strong>\u003C/u>\u003C/a>\u003C/span>\u003Cbr />\r\n \u003C/p>\r\n\r\n\u003Cp>La page VUES D’ICI recense l'ensemble des films québécois disponibles sur Tënk. Elle vous permet de plonger dans une exploration des cinémas documentaires québécois et découvrir un florilège de films réalisés autant par des documentaristes de renom que de la relève. À travers une diversité éclatante de formes et de regards, ces cinéastes ont en commun une créativité débordante et une liberté décomplexée qui interrogent, confrontent, réconcilient et aident à mieux comprendre le Québec et le monde entier.\u003Cbr />\r\n\u003Cbr />\r\nPour effectuer une recherche plus détaillée sur les films québécois, utilisez notre \u003Ca href=\"https://www.tenk.ca/fr/documentaires?f=vues-d-ici\">\u003Cstrong>\u003Cspan style=\"color:#008080;\">\u003Cu>moteur de recherche\u003C/u>\u003C/span> \u003C/strong>\u003C/a>!\u003Cbr />\r\n\u003Cbr />\r\nDécouvrez aussi des entretiens passionnants avec des cinéastes d'ici dans le cadre de nos \u003Cem>Fragments d'une oeuvre \u003C/em>:\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>\u003Ca href=\"http://www.tenk.ca/fr/fragments-dune-oeuvre/les-films-de-danae-elon\" target=\"_blank\">\u003Cspan style=\"color:#008080;\">\u003Cu>\u003Cstrong>DANAE ELON\u003C/strong>\u003C/u>\u003C/span>\u003C/a>\u003C/li>\r\n\t\u003Cli>\u003Ca 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/>\r\n\u003Cbr />\r\nUn projet rendu possible grâce au soutien financier de la\u003C/p>\r\n\r\n\u003Cp style=\"text-align: center;\">\u003Ca href=\"https://sodec.gouv.qc.ca/\" target=\"_blank\">\u003Cimg alt=\"\" src=\"https://dhkhp2rgto9nq.cloudfront.net/img/cms/logo_sodec.png\" style=\"width: 300px; height: 150px;\" />\u003C/a>\u003C/p>\r\n","vues-d-ici","Une exploration des cinémas documentaires québécois",[464,465,466,468],{"key":119,"value":6},{"key":135,"value":462},{"key":467,"value":6},"Cacher logo",{"key":469,"value":6},"Activer 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